Cost Of Ticket In Adventure Island , Rohini

When butter pulled the roof ... The habit of some" decent people "

Grandmothers often make up stories for his grandchildren. However, it was not that story, repeated my sister and me by Dona Ana María Sosa Davalos Romero about his uncle José Dávalos Isasmendi, the farmer who brought camels in one of his trips to the Old World, to people with that kind Colome Salta from his farm in the Valley Calchaquíes.

Dandyism, waste and extravagance in goods should limit itself to the exhibitionism of the "boorish"

(...) And yes, there was an opulent Argentina which encouraged companies to address some unlikely characters, never dreaming that in those whims or the best utopias, often playing all-out equity. Thus, in more than one occasion, fell fortunes resented other native and foreign ventures tempted to glassy idealistic background, as the failed colonization projects along the Black River and the province of Corrientes de Vicente Blasco Ibáñez, convinced the writer Valencia inexhaustible and generous as it could be "Argentina and its greatness", as the title of his book that honored the country in the Centennial.

.

course, while a few entrepreneurs exhibited their wealth, others, the least among the privileged class, blithely squandered with the slogan that the money saved is better spent.

Arturo Cancela and Pilar de Lusardi recalled today in a work can not be found: "Five dandies locals", as many fictional stocks including Anchorena Fabian Gomez, Count of Chestnut partying companion of King Alfonso XII of Spain.

.

Dandyism, waste of goods and extravagance in a clear border with the self exhibitionism of the "boorish" concepts remitted here necessarily related. Although somewhat heterogeneous figures dandyism had met representatives as common characteristics: elegance, a fee of transgression and no expense spared to persevere in the condition of bon vivant, conscious or unconscious rivals nineteenth Duke of Osuna, whose risk and happiness captured the writer Antonio Marichalar, Marqués de Montesa . And they were dandies of the above Anchorena Gómez, Marcelo T. Alvear, Benjamin Roque-the "Payo" Roque, contertulio Ruben Dario, Antonio Demarchi Baron, a son of General Roca, Aaron Anchorena Castellanos-in-law of Enrique Larreta-Florencio Parravicini, conservative politician Benito Villanueva, in many respects the socialist Alfredo L. Palacios and Manuel Mujica Lainez , perhaps the last example.

. Advanced

and the twentieth century, and with less aesthetic influence of Barbey D 'Aurevilly, biographer of Lord Brummell, that yielding to the influence of American millionaires snob lovers platinum Hollywood actresses, sports worries vanished when any feature of intellectual decadence became the classic dandy in "playboy".

.

So accelerated by the First World War and its aftermath, little by little the phlegmatic English and French sarcasm adopted by our gallants from the oligarchy vaccine, moved to another style caught, good correlate of a strong currency and Europe required in crisis: the symbolized in the "dark-haired king of Paris and Argentine" tango. Prototype of "playboy", ie dandy "aggiornamiento" some mischievous, was Martin Max Unzué Alzaga Paul (1901-1982), better known by Macoco.

.

In 1974, novelist and critic Juan Carlos Martini Real had published a "nouvelle" entitled to his nickname, which was banned for ten years and was annoyed enough with the inspirational, the "well child" once owner of the New York night club Morocco, on Park Avenue in the East River. The enfant terrible who studied in London and Paris - "Language is the only thing I've learned," he boasted, but he represented in his time in frivolity and old age, held in Buenos Aires department more functional than luxurious, located on the Peña street to 3100, was won, they say, for a nostalgic skepticism as Giacomo Casanova in the Count's castle in Bohemia Waldheim, giving him at times a touch of wisdom to worldly conversation.

.

Now, aside from its literary value, is welcome to complex the jet set inconsequential vernacular reminding our ancient glories of Belle Epoque in a prototype wayward "creme" and "decent people" , the recent work of Roberto Alifano, poet, friend and collaborator of Jorge Luis Borges and director of the magazine Proa: "Pulling butter to the roof" (Proa Amerian Publishers), which concerns the adventures of Alzaga Unzué.

. Story

non-fiction, biography or fictionalized story imaginary, no matter the genre, and if everything is true and told there is documented: the undeniable fact is the possibility that it happened. So knowledge is plausible Jorge Newbery youth, his subsequent flight Antoine de Saint-Exupéry, his intimacy with Carlos Gardel, the anecdotes with Jean Cocteau, Paul Claudel and Francis Scott Fitzgerald, his business dealings with mobster Al Capone, society with shipping magnate Aristotle Onassis, her romances with great divas, his collaboration with the French Resistance in World War II hidden by champagne bubbles like that of Humphrey Bogart in "Casablanca" and tactics of contact man, which to have appealed to President Juan Peron after Evita's death, to be presented to Ginger Rogers, Gina Lollobrigida and Brigitte Bardot fruitlessly.

. Something

rescue the pages of the book is Macoco resilience to face with dignity the relative economic decline end, armed with the nostalgia of happier times: "I imagine that paradise is how was it when I was 25 years, " was one of his famous phrases you hear tell Lucas Padilla at a tearoom Azcuénaga and Avenida Las Heras.

..

not surprising that carry out without dizzy wheel of fortune. From early childhood to be discovered around splendor and modesty, is not one but various attitudes of life: marked by the slogans of liberalism, agnosticism and relativism positivist many of the men of the family, ideological heirs Eighty-Generation at the other extreme religious piety of his mother, Angela Unzue. (In this regard, on page 35 is mentioned a social gathering with the presence of President Roque Sáenz Peña in which singer had the voice that Dona Angela and attended the "Cardinal Bishop Gregorio Romero" (Sic). Undoubtedly concerns Salta and Juarez Jose Gregorio Romero Babiano (1862-1919), Diocesan Bishop of Salta and Jujuy, legislator, chairman of the Senate, provisional governor of the province and a possible candidate for the dignity of Cardinal, as the paper said toward the end of the second decade of the twentieth century.

.

Or maybe it's cousin, also prelate, the Bishop Gregorio Ignacio Entre Rios Romero (1860-1915), Bishop of Jasso, conventional constituent in 1898 and deputy national high performance, along with Ernesto Padilla Tucumán during the call "Battle of divorce" of 1902. By the way Argentina was the first Cardinal Archbishop Santiago Luis Copello, raised to the purple in 1935 by Pius XI.)

.

Roberto Alifano, not for nothing is also a draftsman and painter, made a sketch of his character with thick strokes rather surely to find just a shadow in the final Macoco reminiscent, in both works in detail their happy times and carefree. It follows from the Belle Époque French and Americans during the Roaring Twenties and going here and there bringing out silhouettes that inhabited those worlds of luxury and waste.

.

course everything has its cost, perhaps because these enviable environments to be spied on from the outside, "with the wide nose against the glass, after cooled mutilated soul and feeling, rightly shown a reluctant party to the intimate secrets and most of all there is a memorial of colorful anecdotes. It Chestertonian a paradox: the autobiography is the best way to relate to others.

.

The book, in its cover a photograph of Alzaga Unzué shown in New York in 1923, with Louis Zborowski, A. Laveta and Clive Gallop, taking a joke as they took the life, the common passion auto-biography joined the "team" with Raul Riganti Bugatti and engineer Louis Bechereau. In 1922 he won the "raid" Montevideo, Punta del This and two years later as a companion wearing Alberto Rodriguez Larreta won the Grand Prix de Marseille, accounts for the diversified culture of Roberto Alifano and its conditions for creating frames and connect and resolve situations and different levels. Everything is expressed in a compelling prose, with long passages in dialogues, but without the change of voices and the author Macoco-reading difficult and contrary to the streamlines.

.

If it is difficult to create a fictional character, to make real one and only famous for his histrionics, a being almost mythical, literary imagination requires, imagination and above all, as in this case, the warm sense of honor . Conditions that met in the pages of the book "Pulling butter to the roof, where the gerund of the title seems to tug at an impossible present, splendor and gestures spoiled yesterday.

.

• Carlos Sosa María Romero, a lawyer and writer.

His latest book is "Lanterns opaque", (2010)

http://www.portaldesalta.gov.ar/romerososa.html
Order of St. Ignatius of Loyola
Opus Dei familiaris San Ignacio de Loyola

info@ordendeloyola.org ordendeloyola@gmail.com
.

Monster Logo Tougue Rings

A decade after Chernobyl - Journal Sentinel - Cte Pr Carlos Gustavo Wash Roque

.
"Ad Majorem Dei Gloriam"
.

Orden de San Ignacio de Loyola

Opus Dei familiaris San Ignacio de Loyola Ad Majorem Dei Gloriana

Info@ordendeloyola.org ordendeloyola@gmail.com

Port Royale 2 Game Editor

In gratitude for his 25 years of "Loyalty and Trust" (Military Life Insurance Company)

Orden de San Ignacio de Loyola

info@ordedeloyola.org

ordendeloyola@gmail.com

,

Opus Dei familiaris San Ignacio de Loyola Ad Majorem Dei Gloriana

ΒΟΞ ΒΑΓΙΕΝ

El Payo Roque. A Centennial dandy

walked the street reporter, all of last year touring the Centennial Buenos Aires: La Boca, San Telmo, the Plaza and Avenida de Mayo, Corrientes Street witnessed his footsteps until, unexpectedly, the young playwright José González Castillo took him slightly less than the force in the neighborhood of Boedo. And there again, after almost go to blows with his guide, in 20 of the Anglo tram that would again Esmeralda Sarmiento, when he realized that the Centennial year was gone and there was much that were still in the pipeline. Many corner, many businesses, how many more red carpet and many popular peringundines could have traveled, how many characters could be revived! Fuck with González Castillo, whose passion boedista had deviated from its planned route!, But, in short, had been a remarkable journey to a new neighborhood that would definitely talk about in the future. When the tram, which was down by Bartolome Mitre, crossed Liberty, saw the lofty tower of the Hotel Paris and could not remember when Payo Roque, the character who more than any other represents the "belle époque" Buenos Aires, one that began in 1880 reached its zenith in the Centennial and its decline with the 1930 coup.

.

Roque Benjamin, that was his name, was born in 1865 in the city of Córdoba, scion of a prominent family whose founders, brothers John Constantine and Leo, arrived in France in the 1820 and dedicated to successful mining in the northern province. The first, in particular, had an outstanding performance as a drawing teacher at the Seminary of Loreto, built in 1840, the Coliseum and was grantee of the Mint after the fall of Rosas. The young Benjamin, as was commonly used in the distinguished families, studied with the Jesuits and came to Buenos Aires in 1886 , when his friend and person from the same province as another Celman Juárez was elected president. Say that these were friends, then, the duration in office, Celman granted an annual pension of 400,000 pesos which enabled strong link to the high society of Buenos Aires and given the high life. And Payo say also that I was grateful, he never denied his friendship with Celman-as many did, as one of the few who continued to visit and addressed in the voluntary ostracism of his stately palace on Lavalle Street, now occupied by solar an exhibition of low-quality trinkets and worse price.

.

Revolution Park, then, had left without protection and without a pension and had to dig in some way, ocurriéndosele what some outdated original feel of our time: to found a social newspaper today called The Hives (bah, what today we would say gossip). It seems that the thing he liked to Payo and was good at the job of editor, it later became director of papers like the Pif-Paf, later reprinted in Paris, Messager Americain, the Buenos Aires Sport, America magazine and a large format album titled The Republic of Argentina 1906-1907, profusely illustrated. But how had become of the Payot in Paris, with the sole income of their publications? Very simple, another guard had been achieved: Don Benito Villanueva, a financier, winemaker, refrigerator socio-old La Blanca Sansinena, and interim president of the Senate for a quarter century, which led him into an opportunity for Europe as Secretary and which the Payo again about fifty times. The first decade of the twentieth century was the best of times: lunch at the Plaza Hotel, afternoon in the paddock of Palermo, dinner at the Petit or Julien, evenings at the Jockey Club or the Petit Salon ... But long taken to Buenos Aires in the bohemian Confectionery del Aguila, Helvetica or Royal Keller, where he hobnobbed with Rubén Darío, who collaborated on some of its publications, and the "cream of the intelligentsia." At the door of one of those holdouts, coffee The Brazilian Maipu Street, it was common to see whistle arias and canzonetas because according to many historians this was the greatest art of Payo, hiss. Ricardo Llanes had people following him along the Avenida de Mayo, as the Pied Piper of Hamelin, until it slipped away in the Hotel Paris, his eternal home.

.

While over the years the Payo dictatorship, continued to dress as in her youth: Levite Fitted with silk lapels, plastron, especially the "Cavour" plush hat ... But patrons were thinning as much as the look and, despite keeping the handlebar mustache, barely concealing dye their gray hair when he was exercising his sleeve in open competition with other famous "tube" of that time: Charles de Soussens. To make matters worse, Paris closed its doors and Payo wandered from hotel to hotel until the end staying in cheap guesthouses. In one, the American Hotel and Cangallo Carabelas, fell ill one evening in November 1932 and taken to the Public Assistance, where he died. Benito Villanueva called to identify him and old friend and guard it difficult and painful to acknowledge, so old and deteriorated was the Payo. Over the years, became a legend Enrique Cadícamo BA, portrayed him in Shusheta, whose verses are still present in the popular imagination: "The whole street saw Florida / with spats, top hat and cane ...".

.

said the columnist, at the beginning of this note, the Payo Roque was the summary of a time, time of plenty and butter to the roof in joyful abandon that even the Great War altered in these remote banks of the world, but awoke his golden dream of the global crisis of 1929 and the coup of September 6, 1930. Death of a world and also died in a hotel Payo had better times, there Conte ran the restaurant, and José Luis Roncallo premiered in 1905 the corn-Carabelas before the Court so often saw him dawn ... Ricardo Llanes dedicated a poem and perhaps the best epitaph: "To think that you have died without any poet / I cried a few verses, looking at your coffin! / Leave the tomb, Payo. He whistled a canzonetta / dance still memories of Esmeralda and Maipú. "

• HE Mr

Don Carlos and Roque Gustavo Ruíz Lascano Wash

Diploma in Defence Graduate

Radiation Protection and Nuclear Safety

PhD Community Development Academy

Cash Accademico San Faustino Italy

Grand Master Order of St. Ignatius of Loyola

XVI

FOODSTUFFS - CIII CMN - XXX Ec GNA - XLVI EDNA

Order of St. Ignatius of Loyola

Grand Master - General Commander

info@ordendeloyola.org Ordendeloyola@gmail.com

.

Poor Job Performance Unemployment California

Testimonials point to Payo Roqué

CHARACTER. Benjamin El Payo Roque for 40 years was a true legend of Buenos Aires, an ally of Juarez Celman while he occupied the Presidency of the Republic. Great-uncle Grand Master His Excellency Don Carlos Gustavo Roque PhD Wash. (file photo NATION).

This tango by Juan Carlos Cobian and Enrique Cadícamo has facets worthy of being discussed again. Basically, it introduced the riddle of whether his name or is directly related recalls, according to the contents of the letter, with a character known Buenos Aires yesterday.

Hugo Gregorutti

Cobián music composed in 1920 as "Grand ballroom tango for piano", is an instrumental piece. Various circumstances that linked him with Martin Álzaga Unzué, better known as Macoco, allowed quite justifiably assume that he was the person who thought the famous pianist named this piece, which eventually established himself as a classic tango. Besides being your friend, met Macoco all conditions to be considered a shusheta. The direct meaning of this slang term is dandy, word English dictionary says as coming from the French: petit maître, ie master.

.

Many biographers and researchers of our popular music, have devoted voluminous commentaries on the history of Shusheta and Buenos Aires was the conquistador who is mentioned in the letter post Cadícamo. We quote from these sources Aresi José Pedro, Juan Angel Russo and Sadaic testimony and the National Academy of Tango. Some agree that Álzaga Unzué Martin was the last of the Argentinian playboys. Was a young good-looking, athletic, wealthy and seductive, perfectly encuadrarían reasons that the figure that the slang term aims qualify. Others have mentioned a similar character of the time, Jorge Newbery.

.

ATTEMPTS. But by incorporating the tango lyrics in question appears on the scene Enrique Cadícamo. The famous poet wrote in his memoirs that in 1922 he met personally Cobian, who would build a friendship and formed a line item bequeathed authorial other memorable pieces in the history of tango (nostalgia, bread and water, Ruby, The dizzy, The cottage of my old). Since 1929 and asked the pianist, Cadícamo put to various instrumental lines of production, including a Shusheta. The poet wrote two letters (the last in 1934) that differ radically from what would be famous and starts like this: All I saw Florida Street / with spats, top hat and cane ...

.

Importantly, these early attempts were never registered, nor incorporated into any of the scores produced by Breyer timely Brothers Only on June 27, 1938, Juan Carlos Cobian enrolled in the final Sadaic Shusheta tango. According Cadícamo recount in 1944 Angel D'Agostino asked to adapt the piece to that time, because for then the Government had banned the use of slang. Cobián authorized to amend the title and that is how Shusheta became temporarily in the aristocratic, almost no alteration in the letter.

REVELATION. Says Juan A. Russo, Shusheta lyrics were inspired by Payo affirm Roque and adds: "This used to tell the Cadícamo own coffee at meetings." Add the said character, died October 5, 1930, was as chronicles of the time, "a characteristic figure of the bohemian ways, whose name was Benjamin Roque . Friend of all, coachs, great dancer and great tango singer, who had never worked as he lived on the benevolence of their friends. Including the president himself, Dr. Miguel Juarez Celman. " This approach to political investiture of Cordoba was elevated to a kind of public relations secretary, Don Juan to enjoy privileges, berretines and be coveted by ladies of the aristocratic society of Buenos Aires meetings. As he masterfully portrays him Cadícamo letter. Data would not let doubt that the character has been inspiring Shusheta determinant. As if this were not enough, one of many recordings, the singer's solo Hector Pacheco and in 1956, accompanied by the orchestra led by Carlos Garcia, closes the letter as follows: ... Florida Street Payo Roque. There are testimonies of who and when joined end to this powerful original lyrics.

STORY. The following is a verbatim paragraph of a long memory of the character's life, written by Rubén Darío, dated 11 / 9 / / 1922: "When I was in Buenos Aires was always a friend to see action at the Teatro San clown Martin. One night I appreciated the special talent show Payo Roque, to make friends and become friendly with his skills and ways, all kinds of people. Had read on arrival at the Rio de la Plata in his yacht, an English magnate, the Earl of Carnarvon , Lord Dudley, who was accompanied by an Indian prince, Duhlcep Sing. In between the theatrical performance, in a box I noticed a young British-style, accompanied by another black man he had in his right hand a ring with super gloss black. I was with them, apparently, a secretary. Payo I met him and said, 'Have you seen the Lord of England and the Prince of India? and are noted in the box. What was my surprise when I saw the role by continuing to sit in the box Roque, in cheerful conversation with the two exotic nobles. Later I came to Casa de Luzio, and as he saw, far past midnight, movement of young men who rose to the top with truffled turkeys and bottles of champagne, I asked what party was up, and a waiter told me: 'They are princes who are partying with the Payo Roque and some artists, "he said."
.

Before concluding this review, we express our agreement with Roberto Selles, when one of his works says: "In the field of research, no statement is absolute."

Roque-France La Maison Saint Foy Le Grand - Luis XIX

Click on the title to expand

Royal and Imperial House of the Sun
Order San Ignacio de Loyola
Grand Master - General Commander - Sapa Inca

info@ordendeloyola.org ordendeloyola@gmail.com